| Internal
Boxing was passed down through
the generations with noted practitioners
like Chang Sung Chi, Huang Zhen
Nan, Huang Pai Jia, Gan Feng
Chi and Wang Tsung. Wu Dang
Internal Boxing still exists
at the place of its birth though
it has been diversified into
many different styles in the
course of the centuries. But
still present in its syllabus
is a form called Wu Dang Taijiquan.
This bears only a little resemblance
to the popular Taijiquan of
today but has common theories.
We know that the Chen family
was famous for generations for
their Pao Chui art which was
a Shaolin form. It was only
after Chen Chang Xin that the
art was considered an internal
one and specifically from the
lineages stemming from Yang
Lu Chan the founder of the Yang
style of Taijiquan.
According to Chen Xin, Chen
Chang Xin learned part of his
art from Jiang Fa. Chen Chang
Xin had been practicing his
boxing when Jiang Fa who was
passing by saw him practicing
and burst out laughing. Realising
that he was observed Jiang Fa
hurried away but Chen Chang
Xin caught up with him and angrily
challenged him as Jiang had
slighted his Chen family art.
Chen grabbed Jiang's shoulder
from behind, Jiang simply turne
around and Chen was thrown out
and lay on the floor. Realising
the superiority of Jiang's art
Chen asked Jiang to be his master.
Jiang who ran a Toufu shop in
Xian was passing through villiage
after visiting his mother in
Honan. Jiang said that he would
return after three years to
teach Chen and he indeed returned
at the appointed time after
which Chen Chang Xin brought
him home and learnt Taijiquan
from him.
Chen Xin also said that because
Chen Chang Xin had studied with
Jiang Fa, the Chen family did
not permit him to teach the
family art of Pao Chui. This
could very well explain why
Chen Chang Xin held his classes
in secret in the dead of night
in the back courtyard of his
home where Yang Lu Chan spied
upon him.
Chen Xin also introduced to
Wu Tu Nan another Taiji master
from the Chen village called
Du Yu Wan (the source for a
song formula attributed to Jiang
Fa's teacher from Shanxi which
is probably Wang Tsung Yueh.
This is found at the back of
Chen Xin's book). According
to Du, his art came down from
Jiang Fa who was from Kaifeng
in Honan and that his form and
Yang Lu Chan's form was the
same, even bearing the same
postural names like `Grasp Sparrow's
Tail' and the same sequence.
Du told him that his Taijiquan
was not a family transmitted
art but a teacher transmitted
art. The previous generations
of the art, that is the founder
of his lineage, were present
when Jiang Fa was teaching Chen
Chang Xin and had also learnt
the art from Jiang Fa. He then
demonstrated his form to Wu
Tu Nan and the form was the
same as the Yang style of Taijiquan.
According to Chen Xin, Chen
Chang Xin was very stiff in
the upper body and was therefore
nick named `Mr Ancestral Tablet'.
When he was learning under Jiang
Fa, Jiang made Chen practice
some loosening exercises to
rid him of his stiffness before
teaching him Taijiquan. The
rest of the Chen family continued
in their practice of Pao Chui
for which they were famous for.
The input from Jiang Fa, who
traced his lineage back to Chang
San Feng, which indicates that
his art was Wu Dang Internal
Boxing or at the very least
derived from it, would mark
the change of Chen family art
from an external one to an internal
one.
The earliest available literature
on Taijiquan indicates that
the art consisted of only 13
postures, the 8 Gates and Five
Steps. We know that the 8 gates
were 8 postures which represented
8 different types of Jing (refined
strength). The Five Steps were
the five different directions
of their application. These
were probably incorporated into
the existing Pao Chui postures
and the slow, relaxed, continuous
and smooth manner of performing
the form, the very element which
made Internal Boxing look weak,
was also incorporated. The result
was a long form which had all
the elements of Internal Boxing,
a modified Pao Chui form which
was a vehicle for Internal Boxing's
theories and practices. This
would have been the art that
was transmitted by Chen Chang
Xin.
(1)(2)(3)
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